The complete tattoo lifecycle
From signal
to skin.
Phase 01 · Stages 01–05. Nothing costs anything and nothing is decided.
Before you commit
Stage 01
The Idea
A rough concept is enough to start. It does not need to be finished.
Most pieces begin as a sentence and a photo taken at a bad angle. That is a workable starting point. What we need out of this stage is the subject, roughly where it goes on the body, and roughly how big — everything after that is our job, not yours. If the idea is still forming, consultation is built to pull it out of you in order rather than asking you to arrive with it already solved.
You bring · A subject, a placement, an approximate size in inches.
Start your tattoo →Stage 02
Style Fit
The idea gets matched to a technique that will still read in ten years.
Horror realism, black & gray, color realism, nightmare realism, portrait and cover-up work each hold detail differently as they age and each want a different amount of skin. Matching the concept to the right one of those is the first real decision in the project, and it happens before any drawing time is spent. If the honest answer is that your concept wants a style we do not specialise in, you will be told that here rather than after a deposit.
Browse the styles →Stage 03
Proof, Not Promises
Healed work is the only evidence that counts.
Fresh photographs flatter every artist. Healed photographs do not. The portfolio marks which pieces have been photographed after healing, because that is the state your tattoo spends the rest of its life in. Judge the shop on those, and on the pieces closest in style and placement to what you are asking for.
See the work →Stage 04
Knowing What Happens
This page. Read it once and the rest of the process holds no surprises.
Uncertainty is what stops most people booking, and almost none of it is about the needle. It is about not knowing what is expected of them, what it costs, how long they will be sitting, or what happens if something goes wrong. Everything in that list is written down — here, on the pricing page, on the aftercare page and in the policies. Nothing about this shop's process is communicated only in person.
Read the FAQ →Stage 05
The Numbers
$100 per hour, $300 4-hour session, $50 to hold the chair.
Two figures govern every quote in this shop: $100 per hour and $300 for the 4-hour session. The session rate is the standard booking and works out cheaper per hour than hourly. Larger work is quoted per project at consultation, but it is quoted out of those same two numbers — there is no third rate that appears once you are committed.
Full pricing breakdown →
Phase 02 · Stages 06–09. The project gets qualified and $50 holds the chair.
Committing
Stage 06
Qualifying the Project
We establish whether the piece can be done the way you are imagining it.
Some concepts do not fit the placement they were imagined on. Some cover-ups need more area than the client expects, or a session of laser work first. Some detail levels cannot survive at the requested size. This is the stage where that gets said plainly, with the reasoning, before any money moves — and where you find out how many sessions the piece realistically takes.
You bring · Clear, well-lit photos of the area — mandatory for a cover-up.
Stage 07
Consult or Book
Two doors. One question decides which.
If the piece is settled and you want a date, go straight to real availability. If the idea still needs shaping, start with a consultation that walks concept, placement, size, style and references and ends in the same place. One question sorts you: is the piece decided yet?
Booking gateway →Stage 08
The Deposit
$50 holds the chair, and comes off the session total.
Non-refundable. Comes straight off your session total when you arrive. It is non-refundable, and that is the whole point of it: it covers design time and it makes the slot cost something to abandon. It is not an extra charge — it comes straight off your session total on the day.
Deposit policy →Stage 09
Preparing for the Chair
Sleep, eat, hydrate. Do not drink the night before.
A four-hour session is physical. Arrive fed and rested, bring water and something to eat, and wear clothing that gives clean access to the placement without you having to negotiate it. Alcohol thins the blood and makes the skin harder to work; skip it the night before. If you are unwell on the day, call the shop rather than sitting through it.
You bring · Photo ID, water, food, loose clothing over the placement.
Phase 03 · Stages 10–11. Stencil approval, then the work.
The day
Stage 10
Stencil and Approval
Nothing is permanent until you have looked at it in a mirror and agreed.
The design is transferred as a stencil and positioned on the skin. You look at it in a mirror, standing, in the position the tattoo will actually be seen in. It gets moved, re-sized or re-drawn until it is right. This is the last reversible moment in the process, and it is not rushed — the needle does not start while there is still a question about placement.
Stage 11
The Session
4-Hour Session, with breaks when you need them.
The work runs in a single continuous session with breaks taken as required — you are not expected to sit motionless for four hours to prove something. Larger pieces are built across multiple sessions with healing time between them, and the session plan agreed at consultation is the one that gets worked to. If the piece finishes early, it finishes early.
Phase 04 · Stages 12–13. Aftercare, then a healed check-in.
Healing
Stage 12
Aftercare
Written instructions leave with you. The healing is half the result.
A tattoo is a wound before it is an image, and how it is treated across the first month decides how much of the detail survives. You leave with the wrap on, written step-by-step instructions, a do/don't list, and the signs that mean you should contact the shop instead of waiting it out. None of it is left to memory.
Aftercare instructions →Stage 13
Healed Check-In and Rebook
We look at it again once it has actually settled.
A healed check-in closes the project. Anything that needs a touch-up gets identified there rather than being noticed by you a year later, and healed photographs go into the portfolio only with your say-so. If the piece is one stage of something larger, the next session gets booked off the back of a healed result rather than a guess.
Book the next session →
Checklist
What the shop needs from you.
The subject
What the tattoo is of. A sentence is enough at the start.The placement
Where on the body it goes. This changes the design more than any other input.Approximate size
In inches, at the widest point. An estimate is fine; we measure on the day.References
Images of the subject, of styles you like, and of the skin if it is a cover-up.Your availability
Real dates, inside the posted shop hours.
Stated so it cannot be assumed
What the process does not do.
No flash off the wall
Every piece is drawn for the person wearing it. There is no sheet of pre-drawn designs to pick from.No surprise rate
Everything quotes out of $100 per hour and $300 per four-hour session. There is no third number.No needle before approval
The stencil is approved in a mirror, standing, before any permanent work begins.No refunded deposit
Non-Refundable. It is applied to your session, not added to it.
Money and commitment
Questions, answered in place.
How long does the whole process take, start to finish?
How do I know how many sessions my tattoo will take?
Is the deposit refundable?
Can I change the design after I have paid the deposit?
What happens if I need to reschedule?
Do you take walk-ins?
Start